African ancestry

Many African Americans can relate to the years of frustration Paul Mosley had trying to track back his family history.For Paul, there was always a certain point where the trail...

23andMe has added new and more diverse reference populations, allowing customers with African and East Asian ancestry to see a more detailed breakdown of their Ancestry Composition. The update was made possible thanks to the contributions of 23andMe customers, as well as new sources of publicly available data such as the 1000 Genomes Project, and from the company's own African Genetics Project.

23andMe expands by five fold the number of regions used its interactive Ancestry Composition report, vastly increasing your ability to peer deeper into your genetic origins, connect you to different populations around the world, and learn more about yourself.

23andMe’s research team and its research will be well represented at the 2017 meeting of the American Society of Human Genetics being held in Orlando Florida.

23andMe helps man learn about his family's hidden history, shifting his view of his own racial identity.

To enhance its research and enrich its customer experience, 23andMe is launching the African Genetics Project, recruiting people who emigrated from, or whose parents emigrated from several specific countries in...

Among the many brilliant performances on the History Channels remake of the series Roots, is the role of Kizzy, played by Anika Noni Rose, the actress best known for her...

In a wonderful interview he did with comedian W. Kamau Bell, actor and producer Levar Burton explained the significance of the current reboot of the series  Roots on the History...

This interview is part of an occasional series of profiles introducing you to some of 23andMe’s scientists behind 23andMe’s research. Senior Scientist and Population Geneticist Kasia Bryc is originally from...

While 23andMe can inform you about your ancestry, that information doesn’t define you, as has been so eloquently written about by Jesmyn Ward in the New Yorker, and by Simone...